'Reading Collections': the African-Caribbean, Asian and African Art in Britain Archive reading group
Abstract
This case study discusses the innovative ‘Reading Collections’ reading group, which uses primary source materials (ephemera) from the African-Caribbean, Asian and African Art in Britain Archive, housed at Chelsea College of Arts Library, UAL. In addition to supporting discussion around the significance of primary documentation in the research process and the curation of collections and archives in relation to the representation of potentially marginalised groups, historical narratives and decolonisation, the group was designed to be non-hierarchical and interdisciplinary, encouraging the participation of people from a wide range of backgrounds including students from all levels as well as teaching and other staff.
Keywords
Reading groups, archives and special collections, African-Caribbean art, Asian art, African art, British art, Black Art, decolonisation.
Author Biography
Gustavo Grandal Montero
Academic Support Librarian
Rahul Patel
Academic Support Lecturer, Academic Support
References
- Appleton, L., Grandal Montero, G. and Jones, A. (2017) ‘Creative approaches to information literacy for creative arts students’, Communications in Information Literacy, 11(1), pp.147–167. https://doi.org/10.15760/comminfolit.2017.11.1.39.
- Chelsea College of Arts (2019) Chelsea Collections and Archives. Available at: http://www.arts.ac.uk/study-at-ual/library-services/collections-and-archives/chelsea (Accessed: 23 February 2019).
- Chelsea College of Arts (2015) Re-Recordings: The African-Caribbean, Asian and African Art in Britain Archive. Curated by Liz Ward, Chelsea Space, London, 24 June – 17 July. Available at: http://www.chelseaspace.org/archive/re-recordings-info.html (Accessed: 23 February 2019).
- Chelsea Library (2018) @Chelsea_Library [Twitter], 14 March 2018. Available at: https://twitter.com/Chelsea_Library/status/974020577102098432 (Accessed: 23 February 2019).
- Grandal Montero, G. (2012) ‘Artists’ books in HE teaching and learning’, The Blue Notebook, 7(1). pp.36-43. Available at: http://ualresearchonline.arts.ac.uk/5517/1/Artists%27_books_in_HE_teaching_and_learning.pdf (Accessed: 23 February 2019).
- Grandal Montero, G., Patel, R. and Sarkar, J. (2018) ‘Exploring archives and artworks: the African-Caribbean, Asian, African Art in Britain Archive and other collections at Chelsea College of Arts Library’ UAL Postgraduate Community, 3 September. Available at: http://blogs.arts.ac.uk/pgcommunity/2018/09/03/exploring-archives-and-artworks-the-african-caribbean-asian-african-art-in-britain-archive-and-other-collections-at-chelsea-college-of-arts-library/ (Accessed: 23 February 2019).
- Jethani, H., Panesar, L. and Patel, R. (2018) Decolonising the Arts Curriculum [.1]. London: Arts Students’ Union / University of the Arts London. Available at: http://decolonisingtheartscurriculum.myblog.arts.ac.uk/ (Accessed: 23 February 2019).
- Keen, M. and Ward, L. (eds.) (1996) Recordings: a select bibliography of contemporary African, Afro-Caribbean and Asian British art London: INIVA / Chelsea College of Arts Available at: https://issuu.com/artslondonlibraries/docs/recordings_-_a_select_bibliography_ (Accessed: 23 February 2019).
- A conversation about recordings (2018). Available at: https://vimeo.com/262975159 (Accessed: 23 February 2019).
- Open University (2019) ‘Discourse and Reading Groups: African-Caribbean, Asian and African Art in Britain Archive’, The Open University, Publications. Available at: http://www.open.ac.uk/dorg/content/publications (Accessed: 23 February 2019).
- Patel, R. (2015) The Devils Feast exhibition, 1987: the art college exhibition by the second generation of young Black British artists in the 1980s; an exploration into the African-Caribbean, Asian and African Art in Britain Archive, Chelsea College of Arts Library, University of the Arts London. London: n.p.
- Shaleigha D’Clark, R. (2018a) ‘A review of The Reading Collections: The African-Caribbean, Asian, and African Art in Britain Archive: Session Three – The Thin Black Line’, Shades of Noir, 22 March. Available at: http://shadesofnoir.org.uk/a-review-of-the-reading-collections-the-african-caribbean-asian-and-african-art-in-britain-archive-session-three-the-thin-black-line/ (Accessed: 23 February 2019).
- Shaleigha D’Clark, R. (2018b) ‘The Devil (is) in the Detail(s)’, Shades of Noir, 26 May. Available at: http://shadesofnoir.org.uk/the-devil-is-in-the-details (Accessed: 23 February 2019).
- The Devils Feast (1987) [Exhibition]. Chelsea School of Art, London. 27 April – 8 May 1987.
- UAL Postgraduate Community (2017) ‘Reading Collections: a new reading group exploring archives and special collections’, UAL Special Collections and Archives, 2 November. Available at: http://blogs.arts.ac.uk/pgcommunity/2017/11/02/reading-collections-a-new-reading-group-exploring-archives-and-special-collections/ (Accessed: 23 February 2019).